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Montagnese had a hand in the making of seven of the album’s 14 tracks, and also executive–produced the entire album with Tesfaye and Jason ‘Daheala’ Quenneville.
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The album from which the single was taken, Beauty Behind The Madness, has proved a stunning commercial success, reaching number one in dozens of countries and gearing up to become one of 2015’s biggest albums. This was most ear–catchingly in evidence on the Weeknd’s US number-one single, ‘The Hills’, which combines a catchy melody with heavily treated vocals and all manner of sonic weirdness. In all these cases, Montagnese has managed to marry commercial adroitness with an experimental approach to painting sounds. It’s how he approaches his work with other artists on a rapidly lengthening credit list containing names such as Florence & the Machine, Lady Gaga, Drake, Wiz Khalifa, MIA and, of course, the Weeknd. It’s how Montagnese approached his debut solo album, History Of Man (2013), which contains experimental electronic music in a similar vein to Aphex Twin and Autechre. On his Facebook, Soundcloud and other social media pages, Montagnese describes what he does simply thus: “I paint sounds.” All sounds recorded and sourced in the “real world” serve as basic starting points for him to paint with and on, a bit like ‘found objects’ in art, and the painting takes place entirely ‘in the box’, where Steinberg’s Cubase functions as his canvas, palette, paint and brush.
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Yes, vocals recorded with different mics in different studios do sound different, but big deal! Just EQ them to make them sound the same! Plus everything is processed so heavily anyway, with different reverbs, delays, doublers and other effects, that in the end you barely notice that the original sounds were slightly different.” Painted On “We were just travelling, and enjoying ourselves, and because I have worked like this for so long now, I can play a song that I have listened to for a long time on a pair of monitors I don’t know, and I’ll very quickly get a sense of what I hear. In every place we used different mics, different mic pres, different monitors, and while it may have appeared like a nightmare to bring all that together, the technology makes it easy to do that. Sometimes I was sitting on a sofa with headphones on, sometimes I’d be in a studio working on NS10s, sometimes I’d be in Abel’s spare room using whatever speakers were there. “In writing and producing material for his latest album, Abel and I were in so many different studios and locations, and we were travelling so much, that I did not have a solid reference point. In this day and age and in this music industry it’s all about taste, it’s all about the ideas. But none of that is valuable to me any more at this point. There was a time when I fantasised about hardware gear, about having this or that keyboard, or monitors with a specific crossover point, or whatever, and spent lots of money buying some pieces of hardware. Instead, I use whatever is available to me.
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I have an issue saying stuff about hardware, because I don’t want to trick people into thinking that I use this hardware for a specific reason. But it does not matter.”Īfter another pause, Montagnese unburdens himself fully. I used to use Genelecs, and I really like the Yamaha NS10s. I’m also happy to work with anything for monitors. I have two sets of headphones, but frankly, I don’t mind which I use. When I’m travelling I use the same laptop with a UAD Apollo Twin soundcard. What I use is this: a MacBook Pro, in my studio together with a PCI chassis with two UAD Octo Cards, and the Metric Halo ULN8 soundcard. This elicits a long pause, and the thoughtful reply:
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He’s also a man who’s happy to answer any question put to him - until I ask what hardware he uses in his studio and on the road. Photo: Keith RichardsonĮngineer, mixer and producer Carlo Montagnese likens his work with the Weeknd to painting - and he’s not afraid to use plenty of colour!Ĭarlo ‘Illangelo’ Montagnese is the musician, beatmaker, producer and mixer who has played a central part in propelling the Weeknd to worldwide fame. Carlo ‘Illangelo’ Montagnese at work on his beloved Cubase.